Jeff Kallman's excellent The Easy Ace: A Journal of Classic Radio
is a wonderful place to spend hours on end, rediscovering the Golden Age of Radio
as it's meant to be discovered and celebrated. Article after article
is filled with a wonderful new vignette about Golden Age Radio History.
---The Digital Deli Online.

[I]n his matchless on-this-day approach to chronicling “yesteryear,”
he easily aces out a less organized mind like mine,
which promptly lapsed into a more idiosyncratic mode of relating the past.
---broadcastellan.

Tuesday, June 16, 2009

His Piercing Blue Eyes: The Way It Was, 16 June


That's the feature for which someone compliments mild-mannered Vic (Art Van Harvey), much to the mild amusement of Sade (Bernadine Flynn) when he's too coy to disclose just who dropped the compliment upon him.

Uncle Fletcher: Clarence Hartzell. Announcer: Ed Roberts. Writer/director: Paul Rhymer.

AIRWAVES . . .

1962: BOB-A-LOO BOWS---The old-time radio era may have slipped into its final weeks but one of WABC's legendary "All-Americans" disc jockeys bows with the station---Bob Lewis, who premieres in the 12 midnight-6:00 a.m. slot . . . following Bruce (Cousin Brucie) Morrow and preceding Herb Oscar Anderson.

Bob-a-Loo (as he calls himself in these years) will hold the midnight show Monday through Saturday until August 1963, when he's moved to a pair of Sunday/Monday gigs, the Sunday noon-to-five show preceding Scott Muni and the early Monday 4 a.m. show preceding Anderson. (Also running WABC in these years is old-time radio morning favourite The Breakfast Club with Don McNeil.)

Lewis will hold these Sunday/Monday gigs for the rest of his eight years total at WABC (moving to 10 a.m. Sunday in 1968, during which time the station becomes New York's top-rated AM rock station.

Lewis in due course will join WPLJ-FM (originally WABC-FM), a pioneer of what came to be known as album-oriented rock radio.

Bob, Bob-a-Loo Lewis is singin', he's swingin', he's hip, he's happenin' on 77 WABC . . . ---Lewis's frequent identification catch phrase during the WABC years.

Surviving airchecks of Lewis in the WABC years also include a rather pungent debunking of the raciest rumour of late-1960s rock and roll---the rumour, believed to have been instigated by a Detroit radio station, possibly in retaliation for an old wisecrack, that Paul McCartney of the Beatles was dead.

CHANNEL SURFING . . .

THE GOLDBERGS: WALTER WANTS THE JOB AT THE MILL (CBS, 1942)---Cut off by his wealthy family for loving Rosalie (Roslyn Silber), Walter Jerome (Edward Trevor) is willing to accept Jake's (James R. Waters) offer of a job at the mill---but Rosalie wants Walter to prove himself independently . . . and seems to want Molly (Gertrude Berg) to help her convince Jake to let him do just that. Sammy: Alfred Ryder. Announcer: Clayton (Bud) Collyer. Writer/director: Gertrude Berg.

PREMIERING TODAY . . .

1885---Tom Howard (comedian: It Pays to Be Ignorant), County Tyrone, Ireland.
1903---Ona Munson (actress: Big Town), Portland, Oregon.
1907---Jack Albertson (actor: The Milton Berle Show; The Phil Harris-Alice Faye Show; The Henry Morgan Show; Cavalcade of America), Malden, Massachussetts.
1912---Ilona Massey (actress: Top Secret; Screen Guild Theater), Budapest.

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